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Platform r.f. Posts

Ato Hasford – Concert shedule and concepts

31st May – Tiny Desk Concert – Platform
Sudan Tiny Desk

19.30, Kyrkoesplanaden 20 D

Performance with slides of the greed and genocide in Sudan.
There are two sides of me as an artist. One that is happy to share my mission and commitment to uncovering the self, to show you the musical magic and potential of random musicians from different mastery levels. The other side is how we align to fulfil my assertion that art is not merely a tool for entertainment but an opportunity for positive activism. This night I share with you the plight of neo-colonialsm, slides of the greed and militarized genocide through the lense of Sudan. We begin with a lullaby to pacify and mourn the wounded, we end with high notes and hope, in the spirit of standing in solidarity and protest.

An production with support from Platform, Rainbow Alliance, Vaasa for Palestine


1st June – Tiny Desk Concert – DooBop, Vaasa.
Congo Tiny Desk  

19.30, Handelsesplanaden 12

Performance with slides about the neglect and abuse of Congo.

While Big Tech and the world’s imperial and capitalist powers keep aligning to ignore the rot and spoils they’re being accused of; tampering with the heart of Africa, stealing lands, forcing millions into tiny encampments and releasing rebels onto indigenous people so they can flee their homes and leave their lands bare for the scavengers to mine cobalt and other minerals that makes the west smart and a luxury the battered Congolese cannot afford or are denied, My band and I want to remind the world that we are watching. We’ll keep talking, we’ll keep playing to challenge the west gaslighting everyone that slavery and colonialism is over when the Congo is a panting testimony of these atrocities. We may not have power but we have a language everyone understands! Awareness is a good place to start. Music shoots the heart faster.

An production with support from Platform, Rainbow Alliance, Vaasa for Palestine


14th June – Concert in Protest – City Square, Vaasa.
Gay, Black and Palestine

20.15, Vasa city square.

Performance with messages from Palestine and solidarity with black and brown communities suffering genocides and homophobia.

My time in residency here in Vaasa has been leading to this moment. The universe aligned to equip and empower me with friendships, courage, access and talents; the tools one needs to simply proclaim that human life matters these days. These extraordinary days where oppression is the norm and standing up to it is the crime! So here’s me and my band, committing crimes of music and love, spreading messages from places being actively bombed and genocided, from places where being black means you’re invisible until there’s a gun pointed at you, from places where even identifying as a queer person can tantamount years in jail if you’re not mobbed to death. I sing about my homecountry, Ghana, homophobic and undemocratic. My band preaches fundamental human rights for all!

An production with support from Platform, Rainbow Alliance, Vaasa for Palestine

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Platform LJUDFEST 8.12

Platform LJUDFEST 8.12 at The Doo Bop Club, Handelsesplanaden 12.

This is an event for sound, performance and electronic music.

The event is FREE and OPEN TO EVERYONE!


19.00 DOORS

19.30 Banger Bingo

20.30 Aeon Lux

21.00 Eilien

21.45 03SIDIAN

22.30 Joseysradios

00.00 Miia Magia

01.30 Vera Logdanidi


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Absence – during Night of the Arts 10.8


Death’s impact reverberates universally across all living beings. When the soul departs, the body transforms into mere substance. What remains after the body’s incineration?

“Absence” by Yui Yamamoto stands as a captivating installation that delves into themes of death, mourning, and the rituals surrounding the departed. Through this work, Yamamoto prompts viewers to engage with the installation, inviting reflection on the passage of time.

Hailing from Japan, Yui Yamamoto is an artist based in London, drawing from a diverse background encompassing social sciences, performance art, and design. Her multidisciplinary approach encompasses live performances, installations, and site-responsive creations. As an East Asian woman, she challenges traditional submissive portrayals, projecting both herself and her objects as expressions of existence through performance.

This installation’s genesis stems from personal experiences of loss within the family and the subsequent mourning. Conceived during a two-month residency in Vaasa, a peripheral town on Finland’s west coast, the project occupies the project space of the Platform rf association. This space, located on Vasa’s culturally vibrant street, is transformed into a ceremonial setting through meticulous white paintwork, setting the tone for the visitors.

The installation’s birth aligns with Japan’s Obon festival, a time for remembrance, coinciding with Vaasa’s Night of the Arts. Inspired by both events and a family member’s passing, Yamamoto constructs a ceremonial space, using symbolic elements like caskets, ash, fire, and hourglasses to explore her confrontation with loss.

Nearly 30 paper bowls, resembling hourglasses, dangle from the ceiling, releasing a delicate stream of salt to accumulate on the floor below. This imagery symbolizes fragility and the fleeting nature of time. A wooden coffin with a tactile, raw exterior sits nearby, filled with plaster-molded leaves and twigs, reminiscent of bone fragments left after cremation.

Yamamoto’s meticulousnes extends to the details, where controlled burns enhance the sense of ceremonial cremation on both the paper bowls and the coffin. The pervasive scent of fire seems to permeate the room, amplifying the experience.

The artist’s foundation in performance and social sciences is evident in the engagement she fosters. Each visitor becomes an active participant, pouring salt into the hanging bowls, observing its descent. The strategic placement of the coffin guides natural movement through the space, while the paper bowls imbue an ethereal, floating ambiance.

Material choices—putty for the coffin’s stone-like appearance and plaster for bone fragments—underscore Yamamoto’s careful consideration.

The installation’s impact becomes evident as visitors shed their reserve, interacting with and discussing the work. The combination of tactile engagement and thought-provoking content prompts emotional responses. As one spectator put it, “Time stops and moves very fast at the same time in here.”

Notably, parallels can be drawn to Japanese artist Matoi Yamamoto, who crafts intricate installations from salt in tribute to his deceased sister. His work, like Yui Yamamoto’s, explores healing through art.

Strengths of “Absence” lie in its elegant simplicity, meticulous arrangement, and the depth found within the details. It flourishes as visitors infuse life into the installation, while minor disruptions in the room’s ambiance serve as its only weakness.

Despite a constrained timeline and unfamiliarity with the Art Night event, Yui Yamamoto succeeds in crafting an exquisite, inclusive masterpiece that resonates deeply with visitors.

In summation, “Absence” by Yui Yamamoto invites viewers to contemplate the profound impact of death, creating an immersive experience that bridges personal reflection with shared emotions.


Text: Jenni Österlund

Pictures: Jonny Huggare Smeds


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Absence – Night of the arts

“absence” for Night of the Arts 10.8. 2023


Death comes equally to every living being. When one’s soul is gone, the body is just a substance. When the body is burned, what remains? Using symbolic items such as casket, burnt papers, and ashes, Yamamoto explores her view of facing the loss. Inspired by the death of her own family and the ceremonial activities, the artist transforms Platform to the ceremonial space for those who are not here.


In the night of arts, the artist invites you to the space of the absence.


“Born in Japan, Yui Yamamoto is a London based artist with a background in Social Science and Performance Art and Design. Her multidisciplinary art practice includes live performance, installation, and site-responsive work. Positioning herself as an East Asian Female whose characters are often seen as submissive, she projects herself as the passive and domesticated objects. Using performance as a central medium, the artist helps herself and objects to express their existence at maximum.”


Thursday/ Torsdag / Torstai 10.8 18.00-21.00

Kyrkoesplanaden 20 D

Kirkkopuistikko 20 D


Free entry! Welcome!


Pictures: Jacob Hagman

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