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Month: July 2016

BRIDGING ZIP-CODE 65

When an artist works with other people in co-creation of a public outcome, what kind of challenges and possibilities does participatory methodologies and documentary photography offer? Is it possible to find a new context in the tension between the two modes of process and outcome, when photographic subjects also become participants and co-creators of artistic work? How does the creative process influence the photographic activity and vice versa? How can one use the social and practical situations that arise as a result of an engaging strategy, to invent art and to explore the social interaction behind an image?

How may one create a space for aesthetics decisions and an artistic point of view while decentralizing authorship? Who is allowed to make a visual representation in a public space? [1] How can one be usefully engaged with individuals or a community and document it in the work? What kind of subtle, silent and in-built behaviour patterns do photographers use? What do we know about all the decisions a photographer constantly makes and how does one move as a photographer?

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